Quarantine Cinema: Part 4
The Independents
This week's films are all made (or restored) by small teams of very independent film enthusiasts who are crazy about motorcycles. These are the cutting edge of moto-culture in the 21st Century, exploring their unique place in the contemporary world, and common love for two wheels. These are not grand narratives with Hollywood trappings, but were made or restored as passion projects, and gifts to their motorcycling family.
All of the proceeds of these sales go directly to the filmmakers - except those who have made them available for the duration of the Pandemic! Many thanks!
1. Greasy Hands Preachers (2014)
“The bikes I produce should be a part of me. This is why I must improve my inner self, to make my bikes better.” - Shinya Kimura

Clement Beauvais & Arthur de Kersauson's alt-custom documentary film explores the passion for craft among motorcycle enthusiasts who have found their way to a happy life. Shot in 16mm in California, Utah, Indonesia, Spain, Scotland and France, the team spent time with mechanics and custom shop founders, trying to understand the difference between manual work and intellectual work. The film includes interviews with Shinya Kimura, Deus X Machina, Roland Sands, El Solitario, and Blitz Motorcycles, who discuss the unique satisfactions of doing something tangible, including a unique sense of time, the relation between the form and the function, the joy of riding in a beautiful landscape and the community and friendship that motorcycle creates. Watch 'Greasy Hands Preachers' FREE during The Pandemic.
2. I Fidanzeati Della Morte (Engaged To Death)
"I've had enough of slowing down during races - slowing down and letting others win!"



3. Fast & Left
"As soon as they got a motor on a set of bicycle wheels, racing was on!"

4. Dirtbag
“Can you build a chopper in under a month for under a thousand dollars?


5. Dirtbag II: The Return Of The Rattler
Come for the bikes, stay for the outrageous musical sequence!



Quarantine Cinema: Part 3
From Europe With Love
Filmmakers from 'other than America' have always had a different take on two wheels. They simply didn't experience the same vilification of motorcyclists as boogeymen as in the USA post-WW2. Many words have been written on why bikers (and teenagers) became the bete noir of American society during the Cold War: suffice it to say our cultural fascination with outlaw culture led to the 'threat' of biker gangs being blown all out of proportion to their numbers. How could a few hundred 1% club bikers threaten the capitalist behemoth in its heyday?
European filmmakers were thus free to focus on sex, adventure, and crazy dreams on two wheels, which is what most people want from bikes, right? Here are a few classics to keep you entertained for this week's Quarantine Cinema:
1. Girl On A Motorcycle (1968)



2. The Leather Boys (1964)
"Follow me, and wait and see!"


Watch 'The Leather Boys' free on YouTube!
3. La Strada (1954)
“Here he is – Zampano!”


Rent 'La Strada' for £3.49 on iTunes UK.
4. Eat The Peach (1986)
"Nothing was going to stop them: it was time to Eat the Peach"

'Eat the Peach' is a 1986 British-Irish comedy film, directed by Peter Ormrod. The title is derived from the T.S.Eliot poem ‘The Love Song of J. Alfred Prufrock’. The story takes place in an Irish village a few miles from the border with Northern Ireland. When the local Japanese-owned computer factory closes, the principal employer is a mob-rum smuggling operation. One day out-of-work Vinnie (Stephen Brennan), and his brother-in-law Arthur (Eamon Morissey), watch the 1964 Elvis Presley film Roustabout, in the village bar. Seeing a cyclist in the film ride a Wall of Death, Vinnie is inspired to make his own: he draws up plans and clears a patch of land near his house.


Watch 'Eat the Peach' free on YouTube!

The Vintagent Selects: The Greasy Hands Preachers
https://vimeo.com/404587233
The Vintagent Selects: A collection of our favorite films by artists around the world.
THE GREASY HANDS PREACHERS (2015)
Run Time: 1:27:00
Producer: Arthur de Kersauson
A Film By: Clement Beauvais & Arthur de kersauson
Writer: Clément Beauvais, Arthur de Kersauson
Key Cast: Shinya Kimura, Deus X Machina, Roland Sands, El Solitario, Blitz Motorcycles
FILM MAKERS
WATCH THE FILM FOR FREE DURING THE LOCKDOWN
We wanted to make the film available for free and share it with you during the lockdown. We hope it will inspire and entertain you while waiting for better days.
Stay home., Stay safe and stay home.
Arthur and Clement
SUMMARY
"The bikes I produce should be a part of me. This is why I must improve my inner self, to make my bikes better." - Shinya Kimura
This documentary film explores the revival of manual work through the passion of motorcycle enthusiasts who have found their way to a happy life. Shot in 16mm in California, Utah, Indonesia, Spain, Scotland and France, we have spent time with mechanics and custom shop founders trying to understand the difference between manual work and intellectual work. The unique satisfaction that result from doing something tangible, the sense of time, the relation between the form and the function, the joy of riding in a beautiful landscape and the community and friendship that motorcycle creates.
RELATED MEDIA


The Vintagent Classics: Mini-Skirt Mob
https://youtu.be/443rpBCrluo
The Vintagent Classics: The films that inspired us.
MINI-SKIRT MOB (1968)
Run Time: 1:22:00
Director: Maury Dexter
Writer: James Gordon White
Key Cast: Jeremy Slate, Diane McBain, Sherry Jackson, Harry Dean Stanton |
FILM MAKERS
Driven by jealousy, the jilted leader of a female motorcycle gang instigates a sadistic reign of terror against her ex-lover and his new bride.
SUMMARY
Shayne, the leader of a Honda-riding biker gang known as the Mini-Skirt Mob, has been jilted by her lover, cowboy star Jeff Logan who has married straight-laced Connie. Shayne enlists the rest of her gang to help her break up the newlyweds and get Jeff back - even if that means killing him in the process. Her revenge escalates until her sister Edie is killed by a Molotov cocktail and Shayne finds herself hanging by one hand over a deadly chasm. Should Connie let go before Jeff returns with the police?
RELATED MEDIA
Quarantine Cinema: Part 2


The Vintagent Classics: Rebel Rousers
https://youtu.be/Z9Dbvtc_-JE
The Vintagent Classics: The films that inspired us.
REBEL ROUSERS (1970)
Run Time: 1:18:00
Director: Martin B. Cohen
Writer: Martin B. Cohen, Michael Kars, Abe Polsky
Key Cast: Cameron Mitchell, Bruce Dern, Diane Ladd, Jack Nicholson, Harry Dean Stanton
FILM MAKERS
Shot in 1967, but shelved and not released until 1970 after Jack’s career took off with easy Rider.
SUMMARY
In a small, U.S. costal town, with many Spanish speakers, a motorcycle gang arrives on vacation. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul Collier. Paul and a leader of the bikers, J.J., knew each other years before, so when the gang comes upon the couple and, led by the menacing Bunny, beats up Paul and begins to sexually assault Karen. J.J. tries to intervene: he suggests they hold cycle-riding contests, with the winner claiming Karen (he promises, sotto voce, to set her free if he wins). After the contests commence, Paul crawls away to look for help. He meets with a shrug from a cowardly Sheriff's Deputy; where can he turn?
RELATED MEDIA
Quarantine Cinema: Part 2


Quarantine Cinema: Part 2
The Deluge of ‘60s Biker Flicks: Roger Corman Perfects the Biker Flick
“There’s nowhere to go” – Heavenly Blues, ‘The Wild Angels’ (1966)
From Paul d'Orléans' seminal 2015 book 'The Chopper: the Real Story': While Russ Myer, that worshipper of the mighty mammary, gave us ‘Motor Psycho’ (1965) featuring maniacal mods on mopeds as a follow up to ‘Faster Pussy Cat! Kill! Kill!’, there wasn’t a formula for a feature-length chopper film until Roger Corman solidified the Biker Flick in 1966 with ‘The Wild Angels’. Corman observed the emergence of the ‘outlaw biker’ as the new front-page threat to civil society, and the ‘problem’ being featured in LIFE magazine, countless newspapers, and Hunter S. Thompson’s book ‘Hell’s Angels’ (1967).



This Week's Quarantine Cinema Picks:
1. The Wild Angels (1966)
“The most terrifying film of your time!”

'The Wild Angels' trailer:
Watch the full film for $3.99 on Vudu.
2. Devil's Angels (1967)
"Get out of their way…if you can!"

The 'Devil's Angels' trailer:
Watch the full movie free on Cine Meccanica youtube:
Or, you can pay $5.99 on Amazon.
3. Rebel Rousers (1970)
“Their creed: "If it feels good, do it!"

Rebel Rousers is not the greatest film ever made [well, none of these films are! - ed]. It’s raunchy and silly and features a cast of gringos playing Mexicans sporting accents verging on offensive, but the thing that saves this film and makes it worth a look is the cast. Cameron Mitchell, Bruce Dern, Diane Ladd, Jack Nicholson, plus Harry Dean Stanton playing a gang member whose wacky getup screams used car salesman on acid. Read more on Cinemeccanica.
The 'Rebel Rousers' trailer:
Watch the full film for $3.99 on YouTube.
4. Mini-Skirt Mob (1968)
“They ride hard...no matter what they’re mounted on!”

The 'Mini-Skirt Mob' trailer:
Watch the full film for $3.99 on Amazon.

The Vintagent Classics: On Any Sunday
https://vimeo.com/411147199
The Vintagent Classics: The films that inspired us.
ON ANY SUNDAY (1971)
Run Time: 1:30:00
Producer: Bruce Brown Films
Director: Bruce Brown
Key Cast: Mert Lawwill, Malcolm Smith, Steve McQueen
FILM MAKERS
Some men hunt the great white shark. Some men join roller derbies, while others go to the moon. Some men like to knit. Some are freefall parachutists. Some spend their lives searching for the perfect woman or the perfect movie or the perfect wave. With the possible exception of knitting, all of these endeavors involve an element of risk, either physical or psychological, to such an extent that the attainment of the end becomes less important than the excitation provided by the pursuit itself.Five years ago Bruce Brown recorded one, round-the-world search for the perfect wave in "The Endless Summer," which was a very beautiful movie to look at (especially from the relative safety of a cloudy smoking section) and—I've now come to think—much less simple-minded than it originally sounded. - The New York Times (1971)
SUMMARY
On the basis of his new film, "On Any Sunday," a feature-length documentary about motorcycles and the men who ride them in apparent pleasurable competition, Brown stands in way of becoming the unofficial poet of the sports world. He not only records and shares with us the often extraordinary physical sensations experienced by the cyclists, but he also manages to suggest, in the absolutely flat language of the nonverbal participants, that the joy of the sport may also be the mask that hides a curse.Like clean-cut, monosyllabic Flying Dutchmen, Mert Lawwill and Malcolm Smith, the professional cyclists whose exploits Brown follows through the film, lead lives of enchanted circularity: the winning of one event is not as much a goal as the preface to still another competition, and another after that. The monetary rewards are never great and, often enough, the prizes are simply trophies. At the end of one race in which death might not have been too far removed, Brown, as his own narrator, is likely to say with his unerring knack for the anticlimactic comment: "There stands Malcolm with a big grin."Malcolm himself is likely to say: "That was really neat:"It is not as silly as it sounds because the shape of the lives recorded by Brown are almost necessarily anticlimactic; that is, until someone gets hurt or (off-screen) killed.The movie itself is anything but anticlimactic. By putting his cameras on the cycles, Brown achieves audience-participation effects with speed that amount to marvelous delirium. The camera work is fancy, but it's a fanciness for a specific purpose, and "On Any Sunday" is the first film I can remember in months in which I thoroughly enjoyed the slow-motion, the zooms, the helicopter shots, the superimpositions and all those other techniques that are the tired rhetoric of the narrative cinema.There is, I suspect, no other way by which to communicate the sense of the intoxication that is the real goal of the cyclists, and that can only be realized through the intensification of all the perceptions.Brown records just about every kind of cycling competition there is, going from southern California to Spain and back again, catching drivers who insist on racing with broken legs, broken noses, and, in one instance, with a back broken six weeks before in an especially hazardous competition. "What kind of men are these?" Brown asks, and the answer comes not from what anyone says, but from the crazy, sensational motion of the film, which is, I feel, in its own way, a remarkable adventure, as simple and as unique to film as the picturization of movement."On Any Sunday" which opened yesterday at the Murray Hill, was, I understand, financed by Steve McQueen, who also shows up in the film from time to time as the very creditable cyclist he is.
The Cast ON ANY SUNDAY, a documentary directed, written, produced and narrated by Bruce Brown; photographed by Bob Bagley, Don Shoemaker, Bruce Brown, Allan Seymour, Gordon Brettelle, Bob Collins, Dan Wright, Richard Carrillo, Nelson Tyler, Mark Zavad, James Odom and Mark Brelsford; released by Cinema 5. At the Murray Hill Theater, 34th Street, east of Lexington Avenue. Running time: 90 minutes. (The Motion Picture Association of America's Production Code and Rating Administration classifies this film: "G — All ages admitted, general audiences.") With: Mert Lawwill, Malcolm Smith, Steve McQueen and others. - The New York Times (1971)
RELATED MEDIA


Quarantine Cinema: Part 1



The Vintagent Selects: The Space Between
https://www.youtube.com/watch?v=zMv0ETbbYdk
The Vintagent Selects: A collection of our favorite films by artists around the world.
The Space Between (2019)
Run Time: 56:03:00
Producer: Religion of Sports & Dirty Robber Productions
Director: Mark Rinehart
Key Cast: James Hiller, Dominic Herbertson
FILM MAKERS
From executive producers Tom Brady, Michael Strahan and Gotham Chopra, the streaming launch of Religion of Sports shows you an inside look at one of the most dangerous motorcycle races in the world, the Isle of Man TT.
SUMMARY
Every year, thousands put their lives on the line to compete in the Isle of Man Tourist Trophy, in the hopes of earning the top spot. They reflect on what draws them to this race and why, despite the many deaths that have occurred at the hands of the race, why they continue to enter the race. This is Religion of Sports: It is the moment of truth. It is revelation. Believe.
RELATED MEDIA


The Vintagent Classics: La Strada
https://vimeo.com/397837270
The Vintagent Classics: The films that inspired us.
La Strada (The Road) (1954)
Run Time: 1:48:00
Director: Federico Fellini
Writer: Federico Fellini, Tullio Pinelli, Ennio Flaiano
Key Cast: Anthony Quinn, Giulietta Masina, Richard Basehart
FILM MAKERS
Fellini called La Strada "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever." As a result, the film demanded more time and effort than any of his other works, before or since. The development process was long and tortuous; there were various problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors.
La Strada is now considered one of the most influential films ever made.
SUMMARY
There has never been a face quite like that of Giulietta Masina. Her husband, the legendary Federico Fellini, directs her as Gelsomina in La strada, the film that launched them both to international stardom. Gelsomina is sold by her mother into the employ of Zampanò (Anthony Quinn), a brutal strongman in a traveling circus. When Zampanò encounters an old rival in highwire artist the Fool (Richard Basehart), his fury is provoked to its breaking point. With La strada, Fellini left behind the familiar signposts of Italian neorealism for a poetic fable of love and cruelty, evoking brilliant performances and winning the hearts of audiences and critics worldwide. - Criterion
A note for Vintagent readers: Zampano & Gelsomina travel the Italian countryside in a Vardo built out of a 1945 Sertum 500 Motocarro.
RELATED MEDIA
Watch the film for free in Italian on Youtube
Buy the DVD collector edition: Criterion Collection


The Vintagent Selects: Marty Dickerson 1926-2020
https://vimeo.com/394639969
The Vintagent Selects: A collection of our favorite films by artists around the world.
Marty Dickerson: 1926-2020 (2020)
Run Time: 3:56
Producers: Gerry Jenkinson and James Salter
Director: David Lancaster
Camera: Steve Read
Soundtrack: SquirkyMusic
Key Cast: Marty Dickerson and Philip Vincent-Day
FILM MAKERS
SpeedisExpensive is the story Philip Vincent - a man who sacrificed nearly everything to build the world’s most famous motorcycle. Filmed in Europe, the UK, Australia and America it features interviews with Vincent racers, plus friends, family and colleagues of both Philip Vincent and Phil Irving. The crew were lucky to film three interviews with Marty: at Bonneville, at El Mirage – shown here – and just last month at Jay Leno’s garage. SpeedisExpensive is due for release this year.
SUMMARY
"Son, Speed is expensive."
Marty Dickerson left us on February 19. From his trips to the Southern States in the late 1940s burning off all-comers on a newly-minted Vincent HRD, to his record setting at Bonneville, he was an ambassador for Vincents all his life - and a great friend to Vincent owners across the globe.
An inductee to the AMA Motorcycle Hall of Fame, his best official speed on a Vincent was 177mph; unofficially it was over 190mph. In 2008 - at the age of 80 - he returned to the Salt on a borrowed Vincent and set a Vintage gas class record of 150.3013mph. In this short tribute Marty is re-united with his famous Blue Bike and talks about his dealings with Philip Vincent to grandson Philip Vincent-Day. RIP fast gentleman.
RELATED MEDIA


The Vintagent Classics: Orphée
https://vimeo.com/396433662
The Vintagent Classics: The films that inspired us.
Orphée (Orpheus) (1950)
Run Time: 1:35:00
Director: Jean Cocteau
Writer: Jean Cocteau
Key Cast: Jean Marais, François Périer, María Casares
FILM MAKERS
In 1949 Jean Cocteau adapted the Greek myth of Orpheus to the cinema, in a contemporary setting of post-war Europe. His use of motorcycles in this dark, evocative tale set the pattern of associating Death with Motorcycles in film forever after, and established the Dark Rider phenomenon in the popular imagination. In short, Cocteau was the first to associate motorcycles with menace in the arts: previously, they had merely been interesting kinetic props, but Cocteau, already famous as a Surrealist poet and playwright/set designer before WW2 in France, was first to see something very different and dark on two wheels.
SUMMARY
In Cocteau’s film version of the myth, Orpheus is a poet whose fame is great, but who lacks respect from the new, young, existentialist/beatnik poets who hang out at the Café des Poétes. While visiting the café, Orpheus is disrespected by the very drunk but very hot new poet Cegeste, who is shortly killed by a dark pair of motorcyclists roaring past. A rich woman in a Rolls Royce (the Princess), who escorted Cegeste to the cafe, orders Orpheus to help carry the body of the young poet in her car. She reveals to Orpheus that she is Death, and the lethal motorcyclists are her henchmen. Orpheus and Death fall in love, and Death sends Cegeste’s poetry through the radio in her Rolls to Orpheus, who becomes obsessed with this poetry and with Death herself, and ignores his beautiful wife Eurydice.
- Paul d'Orleans
RELATED MEDIA
Read more on The Vintagent: Death By Cocteau


The Vintagent Classics: Devil's Angels
https://youtu.be/qfU2ZErrJfs
The Vintagent Classics: The films that inspired us.
DEVIL'S ANGELS (1967)
Run Time: 1:24:00
Director: Daniel Haller
Writer: Charles B. Griffith
Key Cast: John Cassavetes, Beverly Adams, Mimsy Farmer |
FILM MAKERS
“Riot is their reason for living. Lust is the law they live by”
Daniel Haller was born in Glendale, California, and received his art training at the renowned Chouinard Institute. By chance, he happened to meet New World Pictures head Roger Corman in the mid-1950s when Corman was still an unknown, independent producer-director-jack-of-all-trades. Corman persuaded Haller to become an art director, a relationship that continued through some 30 Corman films.
SUMMARY
“They’re adult delinquents…They steal things…They smell bad Charlie!
An exiled band of Hell's Angels strike a bargain with the Sheriff of a local town, let them stay and the town is safe. But a local girl strays into their lair and sparks off a full scale Angel war.
RELATED MEDIA
Quarantine Cinema: Part 2


The Vintagent Selects: Riding The Wall Of Death
https://www.youtube.com/watch?v=P5ZtnIi7W0g
The Vintagent Selects: A collection of our favorite films by artists around the world.
RIDING THE WALL OF DEATH (2016)
Run Time: 2:36
A Film By: Great Big Story
Cast: Kerri Cameron, Fox Family Wall Of Death
FILM MAKERS
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
SUMMARY
Kerri Cameron is a motorcycle stuntwoman from the United Kingdom who rides on Luke Fox's original "Wall of Death." What is the Wall of Death? It’s a nearly vertical, circle-shaped track that most riders would consider insane. Before she was a Wall of Death rider, Cameron rode horses for a living. Today, she performs dangerous stunts with grace and keeps an adrenalin-pumping tradition alive.
RELATED MEDIA


The Vintagent Selects: Meet The Most Infamous Dirt Bike Rider In NYC
https://www.youtube.com/watch?v=hzgfsZvbBmU
The Vintagent Selects: A collection of our favorite films by artists around the world.
Meet The Most Infamous Dirt Bike Rider In NYC (2020)
Run Time: 16:07
A Film By: Vice
Cast: Leeky Da Bikestar
FILM MAKERS
The Definitive Guide To Enlightening Information. From every corner of the planet, our immersive, caustic, ground-breaking and often bizarre stories have changed the way people think about culture, crime, art, parties, fashion, protest, the internet and other subjects that don't even have names yet. Browse the growing library and discover corners of the world you never knew existed. Welcome to VICE.
SUMMARY
"I see it being a sport. I see it being legal in the future. Them giving us a park where we can ride and not run from the cops all day."
VICE travels to Queens to meet Leeky Da Bikestar, one of the most infamous figures in New York City’s bike life movement to find out how a kid from the south side of Queens is leading a country wide movement to create a sport from nothing and legitimize the use of illegal dirtbikes and atvs on city streets. - Vice
RELATED MEDIA


The Vintagent Trailers: Ride Free Or Die
https://vimeo.com/499708903
The Vintagent Trailers: A preview of our favorite feature films out there.
RIDE FREE OR DIE (2019)
Run Time: 1:15:00
Director: Randall Wilson
Key Cast: Hessian Spike, David (Double D) Devereaux, Little Dave
FILM MAKERS
Randall Wilson has directed several documentaries delving into the world of the outlaw biker, including Sin City Deciples (2019), Choir Boys MC (2010), Wheels Of Soul (2006), Hessians MC (2005), American Biker (2005), and Glory Road: The Legacy of the African-American Motorcyclist (2005).
SUMMARY
Ride Free Or Die is an insider's look into the political world of motorcycle clubs. The clubs are fighting for their constitutional rights against what they perceive as law enforcement profiling and harassment. The documentary features Mongols MC, Outsiders MC, Devils Diciples MC, Sin City Deciples, and clubs from all over America.
RELATED MEDIA
Watch the full film on Amazon


The Vintagent Selects: Wot No bike
https://www.youtube.com/watch?v=EBblA5jWkqI
The Vintagent Selects: A collection of our favorite films by artists around the world.
Paul Simonon: Wot No Bike (2015)
Run Time: 8:04
Producer: Nowness
A Film By: Baillie Walsh
Cast: Paul Simonen
FILM MAKERS
British filmmaker Baillie Walsh announced himself to the world as maestro of the music video. His prolific credits include the video for Massive Attack’s “Unfinished Sympathy”—famously filmed in one take in downtown LA—and the poolside promo for Kylie Minogue’s “Slow,” which won the CAD Award for Best Pop Video. Since then, he has directed his dramatic feature-film debut, 2008’s Flashbacks of a Fool, starring Daniel Craig and Felicity Jones, and has filmed the likes of Anne Hathaway for Lancome and a 3D portrait of Kate Moss. Walsh has helmed two music documentaries: a concert tour diary for Oasis, Lord Don’t Slow Me Down, and a crowd-sourced fan documentary on The Boss, titled Springsteen & I.
SUMMARY
Captured by Baillie Walsh, The Clash’s bassist, Paul Simonon meditates on painting and a two-wheeled obsession as his ICA show “Wot No Bike” gets underway. - Nowness
RELATED MEDIA


The Vintagent Trailers: Sin City Deciples
https://vimeo.com/499714688
The Vintagent Trailers: A preview of our favorite feature films out there.
SIN CITY DECIPLES (2019)
Run Time: 43:00
Director: Randall Wilson
Key Cast: Road King Annie, Queen Bee, Blondie
FILM MAKERS
Randall Wilson has directed several documentaries delving into the world of the outlaw biker, including Ride Free Or Die (2019), Choir Boys MC (2010), Wheels Of Soul (2006), Hessians MC (2005), American Biker (2005), and produced Glory Road: The Legacy of the African-American Motorcyclist (2005).
SUMMARY
A raw and candid look into the history of the club and the lives of the men who’ve created their own society, their own culture, and their own history.
RELATED MEDIA
Watch The full film on Amazon




















